Monthly Archives: January 2013

Super Comfy Pajama Pants

You know that super ridiculously soft fleece that seems to be reserved for baby blankets and throws to use on the couch while napping or watching a movie?

I made myself a pair of pajama pants out of it.

They are thick, ridiculously soft, warm (but not roasting), ridiculously comfortable, and I actually asked my husband to do a special load of wash so I wouldn’t have to go a night without them. (And my spectacular husband did, giving me the pants warm out of the dryer. 200 points to Gryffindor for that one!)

I used a very simple pattern using a pair of flannel pajama pants I had made and that had become a little frayed. I unstitched them to get the pattern I needed and created a reusable pattern using special pattern fabric so I can make more comfy pants in the future.

I did learn a few things about working with snuggle fleece in the process of making these. My feed dogs on my machine had a bit of a hard time feeding the fabric through as I sewed. And because I was using a matching thread, with such a high mat to the fabric (in other words, like a high mat carpet that you love to sink your feet into), it was a bit difficult to see the stitches. Basically, you just end up with a thin indentation at the line of stitching. And even using a regular 2.5 stitch length, the stitches ended up smaller simply because the feed dogs couldn’t move the fabric as far with each stitch.

My only issue with the pants is that I made the legs about an inch too long. I love having a little extra length in the legs for lounge pants, but I may have a little too much with these and might end up increasing the hem.

Until then, I’ll be waiting for JoAnns to have another super sale on their snuggle fleece so I can snag another cute print for another pair!

Super Geeky (Not Sci-Fi) Quilt Idea

A friend of mine commented that when he read the title to my last tutorial on hemming napkins, he thought it actually read, “Hilbert Napkins,” referring to the Hilbert curve.

 This is a Hilbert Curve:

Attribution (also cool use for Presidential Candidate travel map)
I laughed when I saw the pattern because it reminded me of a free-arm quilting pattern known as a stipple.  Stipple can be large or small, depending on the scale to fit the item being quilted.  The Hilbert Curve is known as a filler curve; so appropriate for quilting, don’t you think?
Talking this over with my husband, he then mentioned the Sierpinski Triangle.  Here’s the logic to the Sierpinski Triangle in quilting terms:
Start with a 9-patch comprised of only two fabrics, white and a patterned fabric.  That is the base to work from.  Now, consider a 9-block wall-hanging.  Using the same pattern as used in the single, 9-patch block, wherever you used the patterned fabric, in the 9-block wall hanging, you would use that 9-patch block.  Let’s say your original block had this:
White – White – Pattern
White – Pattern – White
Pattern – White – White
The blocks would be laid out like this:
White – White – 9-patch
White – 9-patch – White
9-patch – White – White
Get it?
Expand that to a larger quilt, comprised of 9 wall hangings, and you’d see:
White – White – Wall-hanging
White – Wall-hanging – White
Wall-hanging – White – White
That makes for a LOT of white, right?
Here’s the thing:  you could really use ANY 9-patch pattern, just repeat it per the Sierpinski Triangle logic and you’d have a HUGE variety of quilts that would be very cool (not to mention very simple to put together).  In the example, I used white, but you really could use ANY fabric setup, as long as you chose one of the original 9-patch fabrics to represent the location in the grid where that pattern would repeat.  
Below is an illustration I found on Wikipedia that immediately made me think quilt.  Not only did it make me think quilt, it made me think quilt using different values of the same color wherever you see red, so that it would start with a strong color in the upper right corner and fade into the white, so to speak.
Quilt it using a stipple in the form of a Hilbert Curve, and, my friends, geek your heart out over that.

From Wikipedia article on Sierpinski Triangles

Another mosaic

Since people could enter the Emerald mosaic contest twice, I decided to take another gander at putting fabrics together.  I was too late to submit this particular mosaic, but I thought I’d post it on my blog anyway, because I enjoyed having a different approach and drastically different result.

Instead of starting with a solid green, I started with the three greens you see.  I had originally been working on a complete collection of kind of airy green fabrics that had green in them, but were mostly grounded in white or cream.  I wasn’t liking how they were fitting together, so I started over.

This time, though, I started with VisiBone Webmaster’s ColorLab.  It’s a great tool for those doing web design to get an idea of how colors will mesh together.  I chose colors opposite from each other on the color wheel first (green and purple), then another color close to purple, then another close to green.  The result was a green-purple-orange-yellow combination that I really liked!

Above is the resulting set of fabrics I chose in those colors.  My only qualm is the top purple fabric.  It seems too heavy for the rest of the fabrics I included, but I had a surprisingly difficult time finding a good purple!  It seems there are plenty of browns, greens, blues, reds, PINKS, and oranges, but not too many yellows or purples — at least not in the theme of simple patterns that I was looking for.  What do you think?  I’ve really enjoyed working with color combinations and then trying to hunt for fabrics that matched.

Tutorial: Hemming Napkins

Photo courtesy of:  A Pretty Cool Life
This is another tutorial from a Christmas project I did.  I made a napkin + placemat set for one of my sisters, inspired by this tutorial for the placemats found on Pinterest. Sadly, I didn’t get photos of the finished products (I think I was just so happy to be done that I completely spaced it!), but I didn’t get enough photos of the napkin hemming to show you my own process for it, since the tutorial I had followed focused on the placemats, and I found myself trying to figure out how to make nice crisp corners for the napkins.  Thankfully, the process is really pretty easy.
First, each napkin measured 15.5″ x 15.5″, unfinished.  The end result was 15″x15″.
After cutting each square of fabric, I ironed a half-inch hem on all four sides.  
A view of the pressed edges.
Then, at the sewing machine, I folded the hem in twice.  Basically, I just took the raw edge, folded it to meet the pressed line, then folded over once more.  This gave me a 1/4″ hem.  I sewed close to the inner folded edge.
Starting to sew the first edge.








Before reaching the end of the side, I stopped, opened the side I was working on at the bottom corner (corner facing me), then did the double-fold on the side that I was going to be sewing next.  Once this double-fold was done, I re-folded the side I was working on.

Folding the bottom edge.
Result after folding bottom edge, then refolding side edge.

You’ll see what happens:  a nice, clean corner fold that doesn’t catch on the machine as you’re sewing down and then rotating at the corner to keep sewing.

Keeping the corner secure.
I held on to that edge very firmly with one hand while keeping the double-fold on the side I was sewing folded with the other hand.  It sounds more tricky than it was.
Next edge!
Rotate at the corner, and continue with the same process for all four edges!  

Thinking Green

One of the sewing blogs I follow, Stitched in Color, is hosting a contest using green as the main color theme. The idea is to go to the Fat Quarter Shop online, peruse through their MANY fabrics, and put together a 9-fabric mosaic using emerald green as the main color.

I decided to try this for a few reasons.  First, I love these types of contests!  Second, I’ve never entered one like this before.  I’ve matched up fabrics at the fabric store on my own, but never have I sat down and played with patterns for so long to come up with 9 different patterns to put together.

I originally started with a main focus fabric for the center of the 9-patch mosaic, and tried to build from that.  Then I found a few shades of the emerald green that I loved and decided to work from there, instead.  I tried finding airy patterns for the other 5 blocks that would still keep a green motif, but I couldn’t find just what I was looking for to help it all blend together.  I slept on it, then came back and tried again.  It’s funny how from day to day, your tastes change.  This time, big florals were catching my eye!  I was struggling to find a set of patterns that matched again when I found the center piece that brought the other florals together.  I have a Word file with a VERY long list of patterns and their URLs that I really enjoyed, but here is my final submission.

To me, this says SPRING!!!!  I loved the greens, and with the polka dot fabric in the center, it helped lighten the floral patterns.  I went with florals that had a white background, because I have fallen in love with white backgrounds on quilts.  It makes them so bright!  

Reversible Tote Tutorial

Reversible tote bags.  I’ve been loving making these, but I had never taken the time to create a tutorial or take enough pictures for a tutorial.  The last bag I made was for a sister of mine, and I finally took enough pictures to write up a tutorial!

This particular tote differs from the others I have made in a few ways.  First, I used fat quarters to piece the exterior shell, rather than one solid piece of fabric.  Second, I decided to try using pre-made purse handles.  I was using a drastically different fabric for the interior shell (purple), which meant finding fabric to create straps that coordinated with both colors was nearly impossible.  This project was my first using pre-made purse straps, and I kind of want to go back to my other bags and replace the straps!

Supplies

4 fat quarters for outer shell
~ 2/3 yard fabric for inner shell
~ 1/4 yard fabric for inner pocket
~3 yards fusible heavy craft-weight interfacing
3/4 yard cotton netting
1 set pre-made bag handles
Sewing machine
Iron
Pins
Coordinating thread
Ruler
Rotary cutter
Seam ripper
Fabric marking pen
Heavy-weight needle (110/20 is what I used)
Cutting the Fabric

From the fat quarters:
* 2 pieces 6″x 18″ from Fat Quarter 1 (topmost fabric)
* 2 pieces 6″x 18″ from Fat Quarter 2 (middle fabric)
* 2 pieces 8″x 18″ from Fat Quarter 3 (bottom of the bag)
* 2 pieces 6″x 6″ from Fat quarter 4 (pocket)
From the other fabric:
* 2 pieces 17″ x 20″ (inner shell)
* 2 pieces 6″ x 6″ (other pocket)
From the interfacing:
* 4 pieces 17″ x 20″
* 4 pieces 6″ x 6″
From the netting:
* 4, 5″-6″ lengths (depends on how far up from the bag you want the rings to be)
Bag Handles
Using your lengths of netting, simply thread each through the metal ring and sew the loose ends closed.

One length of the netting I used.

All rings except one have the netting attached.

Close-up of the finished netting on the rings.

Assembling the Bag Pieces

Simply sew the three different fabrics for the outer shell together along the 18″ side, using a 1/4″ seam allowance.

Iron your seams flat (can be open or pressed to the darker fabric).

The pieces of the outer shell for one side of the bag.
Interfacing, outer shell… and my toes.

Attach the interfacing pieces to each large rectangle for both the outer and inner shells.  You should have 4 large rectangles of interfaced fabric.  In this bag, I actually didn’t interface the inner shell, and it still came out as a pretty sturdy bag.  So, depending on how much wear and tear you think both shells are going to take, you might want to use interfacing on both shells.

Attach the interfacing to the pocket pieces, as well.  These take interfacing on both pieces of each pocket to make for a very study pocket.

Pocket piece for the outer shell of the bag.  

For the pockets:  with fabric right sides together, sew around the 4 sides, leaving a gap for turning the pocket inside-out.  If you’re using directional fabric, MAKE SURE the opening is on the bottom of the pocket.  This way, when you stitch the pocket onto the bag, you will also be closing the seam.  Turn the pockets inside out so the fabric is now facing out in both front and back.  Press the gap so that the fabric and interfacing are tucked inside, so that when you look at the pocket, it seems like it’s completely sewn shut.  (I apologize for the lack of photos for these steps!)

Center outer shell pocket on one outer shell rectangle, and do the same for the inner shell pocket.  I found that I don’t actually need to leave too much give on the pockets to have enough room for whatever I plan on storing inside.  Pin the pockets in place.  At the sewing machine, start on the right side of the pocket, stay stitch a few times before going down the right side.  At the bottom right corner, stay-stitch, then rotate the fabric to stitch across the bottom; stay-stitch the left bottom corner, then stitch up the left side, stay-stitching at the top left corner of the pocket.  The stay-stitching will help reinforce the weak points of the pockets.

Do the same for the inner shell.

Outer shell with pocket attached and a pit of interfacing peaking out the bottom.

Now, place the two outer shell pieces together, right-sides together, and stitch down the right, bottom, and left sides of the bag.  Do the same with the inner shell pieces.  Use a 1/4″ seam allowance.  Trim any excess fabric or interfacing.

The inner shell sewn together.

Ta-da!  Inner shell.

Next, attach the handles to the inner shell.  Judge how far apart you want the base of the handles to be.  I attached mine about 4″ from the outer edge.  (NOTE:  Upon reviewing this, I realized I should have waited to attach the bag handles because sewing through 4 thicknesses of netting PLUS the bag fabrics was really tough to do.  You can wait until assembling the shells together to attach the bag handles.  In fact, I highly recommend doing so.)

Handles about to be attached to the inner shell.  I wish I had waited to do this step.

Boxing Corners

Next, we’re going to box the corners for both shells.  This can be tricky to explain.

At one bottom corner, pinch the fabric so that the side seam and the bottom seam are touching.  This will create a triangle.

Pinching the corner together.  

Another view of the corner being pinched together.  See how the bottom seam and side seam are lining up?

Next, measure 3″ from the corner seam and draw a line.  NOTE:  Your shells should still be right-sides together during this.  Sew along the line you drew, stay-stitching at the both ends of the stitching.  Do the same on the other corner.  Pay special attention that your bottom seam doesn’t end up twisting as you create the second boxed corner.

Sorry for the blurriness.  Measuring from the seam for boxing the corners on the inner shell.

Sewing along the line I drew to create the boxed corner.

Don’t trim the excess; I like that it can help reinforce those corners of the bag.

Putting the Shells Together

Pull the inner shell so that it’s right-side out.  Tuck this shell into the outer shell so that the fabric sides of both shells are touching.  Tuck the handles into the space between the two shells.  (As I reviewed this part, I realized I could have skipped attaching the handles to the inner shell and pinned them in between the two shells at this point. It would have saved me from having 4 thicknesses of netting to sew through, which was rather difficult!!)

NOTE:  Be sure the pockets are on opposite sides from each other.  This will help distribute the weight of the items in the pockets.

Match the side seams together and pin those together.  You may want to pin around the entire top of the bag, leaving a 4″ or 5″ gap for turning the bag right sides out.  I usually don’t because I’m lazy, and I usually find myself wishing I had as I get to the side seams which have inevitably shifted just a smidge.

Stitch around the top of the bag, leaving that gap unstitched, else you’ll have yourself a wonderful, inside-out bag with no handles (trust me, I’ve done it).  Stay-stitch on each end of the gap so that pulling the outer shell fabric doesn’t tear your seam (and bag) too much.  I like the leave the gap on one of the side seams.

If you’ve wisely wait until now to attach the bag handles, you may have a bit of netting sticking out from between the bag sides.  Don’t worry – this will be safely tucked inside when all is said and done.

Tucking the bag handles inside the bag.

Stitching through all those layers of netting.  Not fun. 

Leaving a gap to turn the bag out.

See that gap?  It’s really handy and necessary.

Finishing

Pull the outer shell and the handles out through the gap you left.

Mid-pulling the outer shell through the opening.

This is what the bag looks like before stuffing the inner shell into the outer shell.

Tuck the inner shell into the outer shell.  Press the tops, tucking the folds of the gap so that when you top-stitch around the bag, it will sew that gap closed.

Inner shell tucked into the outer shell.

Then, simply top-stitch around the top of the bag, close to the edge, sewing the opening you pulled the bag through closed in the process.

Inner shell tucked into the outer shell.  Gap still needs to be sewn shut, but I LOVED the look of the outer shell.
Sadly, I forgot to take a photo of the finished bag when it was completely finished.  The above photo is as close as it gets to the finished product (but it’s really close!).
Happy bag-making!